| Daniel Bejar | selected projects | statement / bio | current | cv | contact | |||||||||||||||||||||||||||||
| Daniel Bejar/Destroyer | ![]() |
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| FunSaver | ||||||||||||||||||||||||||||||||||
| Get Lost! | ||||||||||||||||||||||||||||||||||
| Déjà Visite | ||||||||||||||||||||||||||||||||||
| Accessory For a Rear-view Forward | ||||||||||||||||||||||||||||||||||
| Stretchin a Dollar | ||||||||||||||||||||||||||||||||||
| Collecting the Sun | ||||||||||||||||||||||||||||||||||
| Reroute | ||||||||||||||||||||||||||||||||||
| The Betsy Ross Trilogy | ||||||||||||||||||||||||||||||||||
| The Visual Topography of a Generation Gap | ||||||||||||||||||||||||||||||||||
| Miss | ||||||||||||||||||||||||||||||||||
| The Peekskill Times, No News is Good News | ||||||||||||||||||||||||||||||||||
| Trace | ||||||||||||||||||||||||||||||||||
| Marker | ||||||||||||||||||||||||||||||||||
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| install "Breuckelen", West 4th Station, Manhattan MTA Subway Station |
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| "Get Lost! (Reddendums) site-specific intervention, documentation archival pigment prints variable 2009-ongoing |
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| Project Description Coinciding with the quadricentennial of Henry Hudson’s discovery of the island Mannahatta, “Get Lost! (NYC)” restores the MTA’s subway maps, signs and place names, to what they may have geographically looked and sounded like when Hudson first sailed by it’s shores in 1609. These restorations based on 18th century cartography and toponymy, particularly the 1782 British Headquarters Map erases 400 years of accumulated history, street names, neighborhoods, and subway lines, returning Manahatta to it’s original green spaces, streams, ponds, and shores the Lenni Lenape Indians once inhabited. A site-specific project referencing New York cities historical geography and toponomy, the “Get Lost!” project appropriates the MTA’s visual vocabulary, through restored maps, manipulated signage and decals returning borough names to their original Lenape and Dutch place names. Returned and inserted back into the subway system in guerrilla fashion, these restorations and alterations are placed over their contemporary counterparts, providing viewers a brief window into another time, inviting them to get lost and rediscover the island that became the greatest city in the world. |
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| ALL WORKS & IMAGES © DANIEL BEJAR 2010 | ||||||||||||||||||||||||||||||||||